He couldn’t even show her on death bed and hence used silhouettes more. This film is not just another film for Nag Ashwin.
“Chanduruni minchi andamolikinchu muddu papayi ve …”
They all just thought and believed it as a once in a lifetime opportunity and gave it their all. Adding fuel to their efforts Keerthy Suresh, Dulquer Salmaan, Samantha and others just brunt the screen with their efforts. Meyer’s music to sets, everything and everyone worked in great synergy. Right from Dani’s visuals to Sai Madhav Burra lines to Mickey J. Nag Ashwin and his gang of dreamers decided this weird love story needs a huge celluloid celebration and they delivered it just like that. “Aaduthu Paaduthu pani chesthunte alupu solupemundi le … Iddaram okkatayi cheyi kalipithe …” This is just an unbelievable troll for any person who is as focused as Savitri and the celebration of her image as an ultimate beauty and actress looks like a satire on her failure to keep the person she loves, attracted to her, all the time. When you build your whole life around a person who has many flaws, at times, your insecurities add up to the situations and your glass fort will break down like a dominos. Her choices got trolled by cosmos and the ultimate supporter of her career became the destroyer too. Well, she chose love over society and that’s when she let her penchant for love guide her destiny. On one hand, she finds love that she has been waiting for, all her life but then, she has to open a can of worms by marrying a married man who has a weakness for beauty. From the moment she fell in love with the moment she decided to marry a married man, secretly, Savitri went through emotions like no 19-year old can handle. You cannot write a tragedy without giving a space for unlimited and endless happiness to suddenly pull the carpet from under the feet and make it a heart-break. Yes, even though it sounds odd, even in tragedy there is a celebration of life. It is really sad if we deeply think about it but there is a celebration in that too. Its like cosmos wanted her to be an actor and when she couldn’t be, it decided to end her story there. During such time, Savitri, a person who always wanted the cosmos to deliver her love, she deserved, found a career that she was never completely interested in, starting with, but then a promise of love drove her to the heights and same love de-railed her to the lows so much that she couldn’t recover from it again.
It is still a big problem but during those days it was unimaginably difficult. It was never easy for women to come out and stand up for their choices as independent and career-oriented adults in 1950‘s.
Why is she still a remembered in the first place? ”ĭid she live her life to the fullest by 40’s? “Nee kosame ne jeevinchunadi … Ee virahamu lo ee neerasa lo. In few words, if Savitri decided her destiny, Nag Ashwin gave it a nice celluloid tribute. He showed utmost care in protecting the image of Savitri almost mirroring her inner conflict without letting us judge her. He surprised me with his penchant to see the truth with Anthony and his maturity to understand a typical person like Gemini Ganeshan. But when you have to tell the history of a person, how will you divide it into heart, soul, and drive? How will you hook the audience and tell them, where to look for and drive them on that path without de-railing? Making a biopic is definitely a herculean task but can you make a sad story, an inspirational saga? Filmmaker, Nag Ashwin had many answers to these questions. enduku neeki kalavaramu…”Ī story needs to have three elements, heart, soul and drive. Heart is the part that pumps it new blood while the soul is the part that defines the story and drive is the path that will determine whether a viewer will love it or not. Starcast: Keerthy Suresh, Samantha Akkineni, Dulquer Salmaan, Vijay Devarakonda, Rajendra Prasad, Bhanupriya, Shalini Pandey, Mohanbabu & Tanikella Bharini.Ĭensor Certificate: U & Runtime: 176 Minutes
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